THE WASSERMANS AND THE HORWICHES
The
First Ordeal
Nancy
confessed to me, several months after we’d met, that she had called Grand
Rapids the day before my episode of Reach
for the Stars aired and told her mother to watch if she wanted to see her
future son-in-law. Getting married was still not on my to-do list (maybe not
even on my bucket list), but I was enjoying, for the first time, the experience
of actually living with a woman. Because it was still the late ‘60s, the
proprieties of such behavior were dictated by the parents’ generation, and as a
consequence, although cohabitation was becoming common, talking about it was
not. The husband of one of Nancy’s work-friends (a man I couldn’t stand),
whenever we found ourselves in a restaurant together, would summon the waiter
over and, pointing at us, stage-whisper, “They
live together, but they’re not married.” It wasn’t even funny the first
time. When Nancy’s roommate left and I invited Nancy to move in with me, she
did so, but she rented a small, cheap studio on West 78th Street, in which she
never slept a single night, just so she could give her parents an address that
wasn’t mine. Of course, she couldn’t give them a phone number. The telephone
installers were on strike, she told them, and it just dragged on and on, but
you can always call Dick in an emergency and he’ll run over and get me. Uh-huh.
They were relatively clueless, but I’m sure they didn’t swallow that.
After
about a year, Nancy decided it was time for the ritual introduction of the new
man to the parents. I had a certain academic interest in meeting her father,
because the triangle of father-daughter-suitor is at the heart of Shakespearean
drama. The fathers’ role is to serve as an obstacle to marriage, which is
surmounted by the end of the play by disappearing him or neutralizing him in some
fashion. He’s an unsympathetic figure, and no one cares when Egeus in A Midsummer Night’s Dream exits without
a word at the end of Act 4, or even when Hamlet kills Ophelia’s father Polonius
halfway through that play. There are hardly any mothers to provide
an ameliorating influence in the plays, so I had no idea what to expect from
Nancy’s, but I expected a certain wariness, or suspiciousness, from her dad.
Some of the fathers of my various girlfriends had been friendly and welcoming,
but this was different. I wasn’t auditioning for a role as a family member when
I dated Mimi Matsner in the 10th grade. Sue’s parents expected me to do the
Right Thing when we graduated, though Ben in Brooklyn didn’t much cotton to me,
this wise-guy know-it-all from Manhattan who hadn’t even been bar-mitzvahed.
Grand
Rapids is no one’s idea of a tourist destination, though in its center stands a
very impressive Calder stabile --
as
well as the Grand River, which flows through the center of town, in which you
can see salmon negotiating the rapids on their way to spawn.
We flew to Grand
Rapids in the dead of winter, when that small city is not at its best –
freezing, sleeting, and dark at four in the afternoon, and Beulah and Joe met us
at the airport. Beulah lovingly prepared her specialty for me that first night,
brisket, the one dish that could stand up to her penchant for overcooking.
There were potato pancakes and apple-sauce too. Nancy and her three sisters
left their plates half-full; I cleaned up their leftovers, and earned Beulah’s
undying love by so doing – what with four daughters, and her culinary
ineptitude, more food had been thrown out in her kitchen than consumed in the
dining room. Joe was not a big eater; by comparison, I, who had grown up with a
master chef for a mom, was a bottomless pit.
About
those sisters: they were spaced exactly four years apart, so that in 1968,
Nancy was 24, Margie 20, Debbie 16 and Julie 12. Julie, Nancy whispered,
existed only because Debbie wasn’t a boy, but after that, her parents ran out
of bedrooms and stopped trying. Margie
looked like a smudged copy of Nancy; Debbie was adorable in a teeny-bopperish
way (more about that later), and Julie was simply unformed as yet. She and
Margie were a little shy with me at first, but as soon as I opened my mouth,
Debbie doubled over laughing. She’d never heard any speech but Middle-American
before, and she thought the way I spoke was hilarious. That was the word she
used, though she pronounced it “hill-air-ious.”
Now
to the enactment of the ritual. In The
Merchant of Venice, if you want to marry the beautiful and wealthy Portia,
you have to submit to a test devised by her late father and proclaimed in his
will: there are three metal caskets, and you must choose the one that contains
her picture, based on the metals themselves – gold, silver and lead – and the
riddles attached to them. Choose wrong, and you forfeit your right ever to
marry anyone. Choose right, and you’re set for life. The testing motif appears
in many fairy tales; the only way to get to Rapunzel is to climb up to her
casement window using her hair as a ladder.
The
Wassermans had devised three such tests for me. The first was the Ordeal of the
Fiery Furnace. Boyfriends, in those days, were certainly not bedded down with
their girlfriends in her parents’ home, and even if they had been, this family
had just moved to a smaller house than the one Nancy grew up in, and all four
girls slept together in one large dorm-like room. So a cot was set up for me –
in the basement. It was not the sort of man-cave that contains a wet-bar, a
pool table, and a giant TV; it was just a dank concrete space, its ceiling
honeycombed by plumbing, full of luggage and unwanted furniture. There was no
bathroom, no reading light, and the stone floor was gritty. And the cot was
right next to the boiler. It cycled off and on all night long and when it was
on, my bed felt like an oven. When it went off, the temperature dropped
precipitously. I awoke at the start of every cycle because the machinery made
clicking and gurgling noises, and then I’d either throw off the covers or
burrow into them, waiting for that blessed few minutes at the midpoint, when it
was neither too hot nor too cold. We were there for three nights, and on the
second and third, I waited for everyone else to go to bed, tiptoed upstairs
carrying a blanket, and bedded down on the living room couch until dawn.
The
Second Ordeal
Joe
Wasserman, Nancy’s father, reminded me of Mr. Bennett, Elizabeth’s father in Pride and Prejudice, who left the
raising of his four daughters almost entirely to his dithering wife. Mr.
Wasserman also had four daughters, from whose daily dramas he too remained
aloof. Mr. Bennett took refuge behind his newspaper while Mrs. Bennett schemed
to arrange advantageous marriages for her girls. Beulah Wasserman did not
believe that her duties included matchmaking, but of course there were daily
dramas, and Joe’s chessboard was his bulwark against the assaults of family
life.
Joe’s
interest in chess was not a mere protective screen. He had been something of a
prodigy as child, and if he’d grown up in Russia, or even in New Work, his
genius might have flourished under proper mentorship. But the Grand Rapids
leather-goods dealer played well enough to have earned a Master’s rating, and
was, when I met him, the senior champion of the state of Michigan, who, In
fact, was better than the champion himself. No one in Grand Rapids could give
him a game, so he played a lot of postal chess (a pastime since ruined by
computers; you never know if your opponent is a human being or some offshoot of
IBM’s Big Blue), and once a year competed in the Midwestern Open in Milwaukee,
which always fell on Beulah’s birthday. He usually finished in the money. When
he turned 65, he was the 10th-ranked player in that age group in the United
States. The first was the legendary grandmaster Samuel Reshevsky, whom Joe had
played in a simultaneous game (Reshevsky against ten other players in a circle,
moving from board to board, a test of thinking on one’s feet. The other nine
lost; Joe achieved a draw.)
Almost
the first question Joe asked me at the dinner table the night I arrived was
whether I played chess. If I’d known what was in store for me, I’d simply have
answered no. The fact is that I did play chess, occasionally, with a neighbor.
We each knew the first few moves of the Ruy Lopez opening and the Sicilian
Defense, but after that, we played carelessly and erratically. Joe’s rating was
over 2000; if I’d had a rating it would have been . . . . maybe 6. Nancy shot
me a warning look when the subject arose; after dinner, she took me aside and
said, “Don’t play chess with him.”
“Why?”
I asked. “I play with Bob Bumcrot all the time.
“Because
he’ll destroy you,” she explained. “He’s a different person when he playing.”
Shortly
after breakfast on the second day of my visit, Joe brought out a board and
began to set up pieces. Now was the time for me to temporize, apologize,
confess my inadequacy, but it seemed simpler just to get on with it; we’d play
one game, he’d see that I couldn’t give him a match, and it would be over in a
few minutes. He extended two fists toward me, and I drew Black. I wasn’t
unhappy about that; Black is expected to achieve a draw at best, and there
would be no shame in losing. I waited for him to make his first move, which in
my neighbor’s case was to advance one’s king’s pawn two squares. Instead, Joe
pushed his king’s knight’s pawn two squares.
I
was baffled. I had no idea what that called for in the way of a response. It
was, in fact, as I later learned, an opening called the Sokolsky, aka the
Orangutan opening, and it is considered “irregular” in chess circles. (It got
its nickname in 1924, when a world-class player named Tartakower consulted an
orangutan at the Bronx Zoo before a match, who somehow suggested it to him.)
Well, I thought, I’ll just develop my pieces until I see what he’s up to, so I
went for control of the center and threatened to capture his pawn by advancing
a knight. He looked at me, his lips curving up in the beginnings of a smile.
“You don’t want to do that,” he said.
He
was right. The game lasted about eleven moves before I was checkmated. Joe
immediately began to rearrange the pieces; this wasn’t to be a one-time affair,
but the beginnings of a match that stretched out over three days, which
included dozens of games, all of which I lost in different, sometimes startling
ways. I didn’t feel I could say to him, “Mr. Wasserman, I’m sure it’s no fun
for you to beat my brains out, so let’s quit,” because it obviously was fun for him to beat my brains out.
In every other social situation, he was retiring to the point of passivity, but
not here. Bobby Fischer was once asked what the point of playing chess was, and
he answered, “To annihilate your opponent’s ego.” The only reason that didn’t
happen on this occasion was that my ego’s existence didn’t depend on my prowess
at chess. I realized quite soon that he was toying with me; instead of closing
in for the kill, he’d knock off my pieces one at a time, so that I’d find
myself with a King and three isolated pawns, facing his entire complement of
pieces. I felt like the knight in Money
Python and the Holy Grail, who gets his arms and legs lopped off in battle
but is expected to keep fighting. Another of Joe’s tactics was to leave the
chessboard almost as soon as we’d begun a game; I’d call out to him what my
move was (I knew enough about chess to do that), and from the kitchen, where he
was making himself a sandwich, he’d call back his reply. He could easily keep
the whole board in his mind, and usually moved immediately, having worked out
in advance all the possible permutations -- though once, on the morning of the
third day, I made a move that gave him pause. He had envisioned a strategy whereby,
five moves later, I could have captured one of his rooks. But I had not
envisioned any such strategy, so my my next move was a blunder, and I went down
yet again to gory defeat. After we were through for the day, he said to me,
“You know, in that sixth game, if you’d promoted your bishop’s pawn instead of
castling, you might really have had a strong position.”. But I couldn’t
remember three moves back in the last game we’d played, let alone the entirety
of a game from earlier that morning.
Needless
to say, I never played chess with my future father-in-law again. I grew quite
fond of him after Nancy and I married, and I sympathized with his predicament:
even after he had retired and they moved to Florida, he couldn’t find skilled
players. When chess-playing computers came onto to the scene, I suggested to
Nancy that we buy him one, but he made it clear that he held them in contempt,
and indeed, the earlier ones weren’t very strong players. He held onto his
skill and mental acuity, which typically deserts even the best players in their
middle years, for a long time, but age finally caught up with him. and on one
visit to Florida, when he was in his eighties, he was beaten badly by the
not-very-serious program on my laptop. “They’ve really improved these, haven’t
they?” he asked, and I assured him that that was the case; I wasn’t going to
tell him how much his skills had eroded.
So
what was going on during the Meet the Parents trip? Was I being tested, and if
so, for what? The fact that I couldn’t play chess was obviously not a reason
for him to forbid me to court his daughter; maybe he just wanted to see if I
could keep my cool under fire. Or maybe he just enjoyed it.
The
Third Ordeal
“Poor
Dick,” said Beulah with a smile, as we spooned down our Cheerios the morning
after we’d arrived. “How are we going to keep him busy for three days in our
little city?”
She
was only partly joking. Grand Rapids is not a tourist attraction. These days
there’s the fish ladder where you can watch salmon negotiating their obstacle
course to the spawning grounds, and the enormous Calder stabile in the revived
downtown, but then, there were no cultural or natural attractions to speak of.
In fact, the city was dying, one more rust-belt burg that had outlived its
purpose. The furniture factories had moved south, and the center, where Joe’s
leather goods store was located, was shrinking as malls began to sprout up. All
the young people were moving out. Nancy’s family was a case in point: she ended
up in New York, and her sisters, respectively, in Minneapolis, Austin and Los
Angeles. (What does it say about the bond among them that they couldn’t have
chosen to live farther from each other unless they’d left the country?)
But
my visit was during Christmas week and that night we toured the wealthier
neighborhoods (including Wealthy Street) where people decorated their houses
for the holiday very elaborately. This photograph is recent, but things haven’t
changed much.
Of
course, you could take the same picture in any bedroom community in the United
States, but to a city boy, it was a revelation. This suburban version of
keeping up with the Joneses took on new meaning for me. Of course, New York had
the tree in Rockefeller Center and the windows of Saks and Bonwit Teller, but
those were institutional productions, not private ones. In my UWS neighborhood,
the heavy concentration of Jewish residents made such display unthinkable;
though many middle-class families, such as mine, might put a wreath on the
door, a tree in the living room and stockings on the mantle (if there were a
mantle), you didn’t see illuminated plastic Santas disappearing down chimneys
or life-size plastic reindeer pulling a sleigh over the eaves of Manhattan I
loved it. I was very attracted to that Norman Rockwellian America that I had
glimpsed when I’d visited my roommate’s home in Omaha, and which was on display
for me here. That Christmas tour was the highlight of my visit.
The
next night, I was treated to what became a rite of passage for prospective
suitors: the exhibition of home movies. I have two brothers-in-law, and both of
them remember vividly sitting through this cinematic marathon, which seemed to
say, here’s what you’re in for if you marry a Wasserman girl; are you man enough
to take it? Joe was an avid movie-maker, and a quirky one. When he took still
pictures, he typically turned the camera 45 degrees, which weirdly distorted
his subjects, and his 8mm movies – hours and hours of them – featured an
acrobatic style, to say the least: stomach-churning zooms, dizzying pans,
sudden transitions. Of course, this was before the days of videotape, when you
could, if you wished, edit your raw footage together in some coherent fashion;
what we viewed that night would have made about 45 minutes of family history
once the five hours of outtakes had been cut. I will say that all these reels
that he loaded into the ancient projector and displayed on the cracked and
yellowing screen were in chronological order, so at least we got some sense of
the family growing up, the various stages of the various girls’ maturation
process – which were pretty much the same in all four cases. Nancy was the
featured player; by the time Julie came along, eleven years later, Joe’s zest
for documenting childhood had waned. But at family occasions – Thanksgiving
dinners, trips to Beulah’s relations in Minnesota, birthday parties, you could
keep track of the passage of time by watching the girls struggling toward and
at last reaching adolescence.
There
was no sound on the film, so all the narration was provided by Joe and Beulah.
Often, disagreements surfaced. “And this is Margie, in her pink snowsuit,” Joe
would say as a blurry image of an eight-year-old building a snowman appeared.
“No,
Joe, that’s Debbie,” Beulah would counter in an exasperated tone. “Don’t you
remember? She got the pink one when Margie grew out of it. And Margie got
Nancy’s old green one.” In truth, so bundled up were the girls, their faces
buried in the hoods of their parkas, that they were interchangeable; any
eight-year-old onscreen might have been any of them. The girls themselves,
dutifully seated next to us, had little interest in setting the record
straight, except for Debbie, who was blonde and had blue eyes and didn’t look
at all like her siblings. “There I am!” she’d exclaim, when a clip featuring a
raft in the middle of Whitebear Lake appeared, but they were all wearing
bathing caps, so you couldn’t be sure.
We
had begun this marathon endeavor at about 7 o’clock; by 10:30, we were only up
to Nancy’s high school graduation. To say that I cared very little which
squinting, smiling nymphet I was viewing at any given moment was the essence of
understatement; at first, I was curious about my girlfriend’s previous
incarnations, but so generic were they that I lost interest quickly. “And this
is when we were at the Rosenbaums’ for Buddy’s birthday party.” “And this is when we and the Kravitzes went
to Lansing for that football game and it rained so hard we just turned around
and drove home.” “And this is all of us at Fingers.” Fingers, as I discovered
on subsequent visit, was the best restaurant in town; their fried chicken was
the main attraction, but the quirky décor was another. The men’s room didn’t
have urinals; instead, there was a gushing waterfall that everyone peed into
together. I told the owner that it reminded me of the even mightier cataract in
the gent’s room of the Madonna Inn in San Luis Obispo, and he beamed. “That’s
where I got the idea,” he told me.
There
was a single, shining moment during the hours of home movies. Joe had his
camera trained on Margie, age 4, who was sitting on the back of a little red
wagon. Some unseen hand jerked the wagon out from under her, and she
somersaulted onto her head and came up shrieking. Joe, in a moment of cinematic
inspiration, kept filming, zooming in, closer and closer until the screen was
filled by just her open and screaming mouth – you could actually see her uvula.
Nancy and I applauded. “I wish you
wouldn’t show that one to everybody,” Margie exclaimed.
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